Convegno internazionale | International conference

L’Europa radicale. Riviste e intellettuali tra Sinistra e Nuova Sinistra 1958-1968 | Radical Europe. Periodicals and intellectuals between Left and New Left 1958-1968

Dipartimento di Studi storici - Università degli Studi di Milano

27 November 2020 

online via Microsoft Teams


9.30 a.m.


Giovanni Scirocco (Università degli Studi di Bergamo), Raniero Panzieri, “Mondo Operaio” e il “Supplemento scientifico-letterario” 

Michele Filippini (Alma Mater Studiorum - Università di Bologna), Raniero Panzieri all’origine della nuova sinistra 

Giancarlo Monina (Università degli Studi Roma Tre), Lelio Basso e la “Revue Internationale du socialisme/International Socialist Journal” 

Luca Polese Remaggi (Università degli Studi di Salerno), “L’Astrolabio” dal sostegno alla critica del centro-sinistra (1963-1968) 

12 a.m.
(chair: Kristin Ewins) 

Christophe Premat (Stockholm University), Old Left against New Left: the internal debates about the future of Marxism in the radical Left periodicals “Socialisme ou Barbarie” and “Pouvoir Ouvrier” (1958-1969) 

Kristof Niese (Universität Bonn), Transnational connections and vitalising ideas for the New Left? Hans Magnus Enzensbergers journal „Kursbuch“ around ‚1968’ 

3 p.m. 


Marta Margotti (Università degli Studi di Torino), Padroni e operai sulla stessa barca? Rivoluzione sociale, lotta politica e riforma religiosa in alcune riviste del “dissenso” cattolico 

Fabio Guidali (Università degli Studi di Milano), Engagés/enragés: “Quaderni piacentini” e “Giovane critica” dalla periferia al centro 

Enrico Landoni (Università eCampus), Diffondere dubbi e rovinare certezze. L'irriverente ed effimera missione di “Quindici” (1967-1969). 


Scientific committee:

Eric Burton, Universität Innsbruck 

Kristin Ewins, Örebro University and chair of the European Society for Periodical Research (ESPRit) 

Fabio Guidali, Università degli Studi di Milano 

Irene Piazzoni, Università degli Studi di Milano 

Christophe Premat, Stockholm University 

Daniela Saresella, Università degli Studi di Milano 


Organization and secretariat: Fabio Guidali

Please contact This email address is being protected from spambots. You need JavaScript enabled to view it. in case of access issues.

Date: Wednesday 11 November 2020 

This online event, part of an AHRC-funded impact project marking the centenary of feminist magazine Time and Tide, will explore the status of women in the media and publishing landscape today in conversation with influential female journalists, editors, and publishers, including Polly Toynbee of the Guardian and Nicola Beauman of Persephone Books.

  • Panel 1 – “Women, Politics, and the Press” – will interrogate the status of women in spheres of print journalism from which they have historically been excluded (politics, economics, international affairs). Confirmed panellists: Guardian columnist Polly Toynbee, and Helen Lewis, staff writer for The Atlantic and former deputy editor of the New Statesman. Chaired by Dr Sarah Lonsdale, Senior Lecturer in Journalism, City University of London.
  • Panel 2 – “Women, Publishing, and the Literary Press” – will focus on literary and review journalism and publishing, in particular the persistent gender bias in favour of male reviewers and books authored by men. Confirmed panellists: Thea Lenarduzzi, Commissioning Editor at the TLS; Catherine Riley, writer and co-founder of the Primadonna Festival; Nicola Beauman, founder of Persephone Books. Chaired by Rebecca Harding, Chair of the Society of Women Writers and Journalists.

These hour-long live-streamed panel discussions will be accompanied by pre-recorded illustrated talks about Time and Tide’s interwar history, all of which will be made available on the project website. 

For more about Time and Tide and this project please visit our website,, where further details about the Festival will be published in due course.

The activities of European literary magazines since the 1960s constitute an under-documented and under-analyzed field. And yet most European countries have a lively literary magazine scene. Such a lacuna needs to be addressed and rectified. Certain categories of literature – poetry and short fiction, for example - depend heavily on journals for initial readership and in order to achieve subsequent book publication. This special issue of the Journal of European Periodical Studies aims to draw attention to this vital aspect of the periodical scene and literary periodicals’ importance in relevant national and trans-national literatures. The changing configurations and roles of literary journals in the past decades may also tell us something of the effects of new media on this venerable type of periodical. The period in focus is the last sixty years; this may be interpreted to include literary journals that have emerged in (approximately) the last sixty years, or older literary periodicals that have evolved or played (or evolved to play) significant roles in literature over the past several decades.

Possible topics could include:

  • discussions of the literary periodical scene in individual European cultures;
  • discussions of the activities and changing faces of individual journals in the period under consideration;
  • the intimate relationship between the literary periodical and categories of literature – poetry, the short story, and drama, for example;
  • the effects of specific literary journals on the literature of particular decades or contexts;
  • the literary periodical as a vehicle for literary and social change;
  • the response of literary periodicals to social, cultural, and political changes of the past six decades (Eastern European examples may be of particular interest here);
  • responses of literary journals to new media and the digital revolution;
  • economics and institutional issues in literary magazine publication;
  • editors and their influence on the literary periodical scene.

The aim of the special number is to offer a view of the development and roles of the literary periodical in several European (not only Anglophone) cultures over the past sixty years.

The deadline for article proposals is December 1st 2020, full articles are expected on June 1st 2021. All accepted articles will be reviewed and sent out to one external reviewer (double-blind peer review). The standard length of an academic essay is between 5,000 and 8,000 words, and this includes notes and bibliography.

Please send your article proposals to the guest-editors: Wolfgang Görtschacher (University of Salzburg, This email address is being protected from spambots. You need JavaScript enabled to view it.) and David Malcolm (SWPS University of Social Sciences and Humanities, Warsaw, This email address is being protected from spambots. You need JavaScript enabled to view it.)

The 9th International ESPRit Conference on 'Periodical Formats in the Market: Economies of Space and Time, Competition and Transfer', which was supposed to be held in Bochum from 16-18 September 2020, has been postponed to 14-16 June 2021. 

Instead, we are organising an ESPRit annual meeting and a workshop on periodical studies on 17 September 2020 from 13:00 CET via Zoom. 


Times given are CET

13.00 — Annual general meeting (for registered ESPRit members)

14.00 — Opening, welcome, meet and greet 

14.30 — Postgraduate panel (Jennifer Buckley, Moritz Bauerfeind, Júlia Fazekas)

15.30 — WeChangEd stories app 

15.50 — Map of periodical studies

16.00 — ESPRit conference 2021

16.10 — Journal of European Periodical Studies

16.20 — Postgraduate panel (Jelena Lalatović, Marianne Noel)

17.00 — Closing remarks and social time

The Zoom link for this meeting will be circulated via e-mail.  Please contact us via This email address is being protected from spambots. You need JavaScript enabled to view it. if you wish to participate.

Bild-Sequenzierung im Journal: Comic, Fotoreportage, Cinéroman und illustrierte Filmzeitschrift

12–13 June 2020, Ruhr-University Bochum, Germany

Organised by the DFG Research Unit 2288 Journal Literature, the Committee for Comics Studies and the Committee for Photography Studies at the German Society for Media Studies (GfM)

Confirmed Keynote Speakers: Jan Baetens (Leuven) and Marina Ortrud M. Hertrampf (Regensburg)

The premise of the workshop is that periodicals, as soon as they are capable of incorporating pictures, are prone to display not only single isolated, but most often multiple pictures and, moreover, arrange them in typical, possibly media-specific ways. The object of the workshop is to explore page layout strategies used in periodicals from the 19th to the 21st century in order to identify their manifestations, historical modifications and adaptations to different visual media.

From the late 19th century onwards photographic images have been published frequently in periodicals. As the 19th century drew to a close, photo-reproduction processes quickly supplanted wood-engraving. Photo-mechanical technologies such as the half-tone screen enabled mass reproduction of photographs. The importance of photojournalism and, accordingly, of photographic magazines such as the Berliner Illustrirte Zeitung was increasing, leading to the formation of the influential journalistic genre of the ‘photo reportage’. American comic strips explored novel ways of “juxtapos[ing] pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer”, as Scott McCloud famously defined. Serial novels such as Georges Rodenbach’s Bruges-la-Morte (1892) were published AG Fotografieforschung accompanied by numerous photographs. After the turn of the century, the ever more popular medium of film found in the pages of the periodicals an ideal partner to transform its moving pictures into a fixed printed form. Throughout the 20th century these forms continued to flourish and develop, introducing new modes of serial picture display like the photonovel or the cinéroman up to current projects such as the Revue dessiné, offering a news magazine relying solely on comics. All of these forms raise the question how sequencing pictures on a page—and on ensuing pages—does produce meaning: How do still pictures narrate and produce visual discourse?

The workshop seeks to advance the study of image sequences from a transmedial perspective. The focus lies hereby on the way in which the medial format of the periodical operates with image sequences: How are images arranged and connected to each other, how do they produce coherence, the impression of a succession and very often even narrative cohesion? We welcome theoretical approaches as well as studies that work with historical or contemporary material.

Abstracts of no more than 300 words should be sent to the conference organisers Christian A. Bachmann, Vincent Fröhlich, Iris Haist, Jens Ruchatz, and Monika Schmitz-Emans (This email address is being protected from spambots. You need JavaScript enabled to view it.) no later than 31 January 2020. Please include name, institutional affiliation, email address, and a short CV (150 words). This workshop seeks to advance transdisciplinary discussion and exchange. In line with this goal and the fact that the workshop encourages interaction, participants are required to submit preliminary papers of approximately 8 pages no later than 24 May 2020. Presentations should not exceed 10 minutes and should primarily serve to kick off discussions of 30 minutes. The papers will be sent to the attendees prior to the workshop and participants should read them in preparation of the discussions. The languages used during the workshop will be English and German. We will provide accommodation in Bochum and reimburse travel expenses up to €250 in total. Please add a short note to the abstract if you need us to refund costs up to €250. Please contact us no later than 24 May 2020 if you would like to participate in the discussion without presenting a paper.

Possible topics and case studies include but are not limited to:

  • the formation of image sequences as part of an emerging practice of text production for periodicals from the late 19th century onwards;
  • comic strips as image sequences and series of image sequences;
  • image sequences as a mean of producing visual news in the ‘photo reportage’;
  • the representation of film in periodicals using sequences of pictures;
  • image sequences in periodicals as forms of remediation and/or negotiations of mediality;
  • the intermedial structure of image sequences in photo comics, photonovels and film photonovels;
  • mediations of and reflections on movement and time in image sequences published in periodicals.