In order to build our online ESPRit community, we are starting a series of monthly one-hour online seminars. The first series will be programmed on Friday afternoons in March, April and May 2021. It takes as its focus ‘Popular Magazines’, and is co-hosted by the ETMIET/KENI team from Panteion University (Athens). 


General title
‘Crossover influences and local identities of the popular illustrated periodicals of the 19th and twentieth centuries’

26 March, 12-1PM CET (chair: Peter Buse, Liverpool University)
Keynote lecture by Victoria Kuttainen (James Cook University, Autralia): “Portholes, Channels, and Seductions: The Messy Affordances of Antipodean Periodical Scholarship”


16 April, 3-4PM CET (chair: Sophie Oliver, Liverpool University)

- Charlotte Lauder (University of Strathclyde and National Library of Scotland), “Pithy people: the People’s Friend, a national magazine for Scotland”

- Júlia Fazekas (ELTE University, Budapest), “Popularity of Hungarian and European fashion magazines in the 1840s”

Click here for more information and registration

 

14 May, 3-4PM CET (chair: Andrés Mario Zervigón, Rutgers University)

- Patrick Rössler (University of Erfurt), “From Simplicissimus to Simplicus and Der Simpl. Satire magazines between Nazi gleichschaltung and exile, 1934-35”

- Mary Ikoniadou (University of Central Lancashire), “Refugee publishing. The case study of the Greek political refugees in East Germany. Imaginings and aesthetics of repatriation amidst Cold War borders”

Click here for more information and registration


The seminars will be held online via Zoom. All are welcome to attend; registration via this website is required for receiving the meeting link. Any questions or suggestions regarding the ESPRit online seminars may be directed to This email address is being protected from spambots. You need JavaScript enabled to view it..

 

The activities of European literary magazines since the 1960s constitute an under-documented and under-analyzed field. And yet most European countries have a lively literary magazine scene. Such a lacuna needs to be addressed and rectified. Certain categories of literature – poetry and short fiction, for example - depend heavily on journals for initial readership and in order to achieve subsequent book publication. This special issue of the Journal of European Periodical Studies aims to draw attention to this vital aspect of the periodical scene and literary periodicals’ importance in relevant national and trans-national literatures. The changing configurations and roles of literary journals in the past decades may also tell us something of the effects of new media on this venerable type of periodical. The period in focus is the last sixty years; this may be interpreted to include literary journals that have emerged in (approximately) the last sixty years, or older literary periodicals that have evolved or played (or evolved to play) significant roles in literature over the past several decades.

Possible topics could include:

  • discussions of the literary periodical scene in individual European cultures;
  • discussions of the activities and changing faces of individual journals in the period under consideration;
  • the intimate relationship between the literary periodical and categories of literature – poetry, the short story, and drama, for example;
  • the effects of specific literary journals on the literature of particular decades or contexts;
  • the literary periodical as a vehicle for literary and social change;
  • the response of literary periodicals to social, cultural, and political changes of the past six decades (Eastern European examples may be of particular interest here);
  • responses of literary journals to new media and the digital revolution;
  • economics and institutional issues in literary magazine publication;
  • editors and their influence on the literary periodical scene.

The aim of the special number is to offer a view of the development and roles of the literary periodical in several European (not only Anglophone) cultures over the past sixty years.

The deadline for article proposals is December 1st 2020, full articles are expected on June 1st 2021. All accepted articles will be reviewed and sent out to one external reviewer (double-blind peer review). The standard length of an academic essay is between 5,000 and 8,000 words, and this includes notes and bibliography.

Please send your article proposals to the guest-editors: Wolfgang Görtschacher (University of Salzburg, This email address is being protected from spambots. You need JavaScript enabled to view it.) and David Malcolm (SWPS University of Social Sciences and Humanities, Warsaw, This email address is being protected from spambots. You need JavaScript enabled to view it.)

The new PeLiAS joint seminar (Periodicals Literature Arts Sciences) will study art, literature and science periodicals as cultural mediators from the 18th to the first half of the 20th century. The seminar considers periodicals as social, material and entrepreneurial constructions, involving multiple actors: writers, artists, typographers, engravers, printers, publishers or readers in relation with various socio-professional groups (art and literature circles, science groups, academics, theatres, galleries, publishing houses, etc.). The seminar adopts a twofold approach: periodicals are analysed both as a communication medium pertaining to print culture and as a multidisciplinary cultural object. The notion of mediator allows for highlighting the circulation of ideas, texts, images and writers. Periodicals are approached in terms of «networks»: dialogues are established between diverse periodicals beyond the traditional split categories opposing the big vs. the small press, reviews vs. books, or art and literature journals on one hand vs. scientific journals on the other. Periodicals are also studied in their outreach and popularizing dimension, both on a literary and scientific level, and in their relationship to the book and various audiences.

The new joint seminar prolongs the panel «Agencies of Scientific Periodicals» chaired by Hélène Gispert at the 7th ESPRit international conference Periodicals In-Between : Periodicals in the Ecology of Visual and Print Culture, organised by Evanghelia Stead in Paris (26-29 June 2018). It looks back at the approaches developed in France by Evanghelia Stead and Hélène Védrine on art and literature periodicals (L'Europe des revues, 2008, and L'Europe des revues, II, 2018) and by Hélène Gispert on scientific and technical periodicals (GHDSO-EST group).

Les périodiques comme médiateurs culturels (Littérature Arts Sciences)

Le nouveau séminaire PéLiAS (riodiques Littérature Arts Sciences) se propose d’étudier les périodiques artistiques, littéraires et scientifiques du 18e siècle à la première moitié du 20e siècle en tant que médiateurs culturels. Il s’agit d’analyser les périodiques en tant que constructions sociales, matérielles et entrepreneuriales, qui font intervenir de multiples acteurs : écrivains, artistes, typographes, graveurs, imprimeurs, éditeurs, ou lecteurs, etc., et touchent des milieux socio-professionnels variés (milieux artistiques et littéraires, scientifiques, universitaires, théâtres, galeries, maisons d’édition, etc.). L’approche adoptée est double : les périodiques sont interrogés en tant que support de communication appartenant à la culture de l’imprimé et en tant qu’objet culturel pluridisciplinaire. La notion de médiateur permet d’insister sur la circulation des idées, des textes, des images et des rédacteurs. Les périodiques sont pensés en terme de « réseau » : un dialogue s’établit entre différents périodiques au-delà des catégorisations et partages traditionnels qui opposent grande et petite presse, revues et livres, revues artistiques et littéraires et revues scientifiques. Les périodiques sont aussi étudiés dans leur dimension de vulgarisation, tant au niveau littéraire que scientifique, et dans leur rapport au livre et aux différents publics.

Ce nouveau séminaire collaboratif prolonge le panel « Action des périodiques scientifiques » présidé par Hélène Gispert au 7e colloque international d’ESPRit Les Périodiques comme médiateurs. Les périodiques dans l’écosystème de la culture imprimée et visuelle, organisé par Evanghelia Stead à Paris (26-29 juin 2018). Il s’appuie sur les approches élaborées en France d’une part par Evanghelia Stead et Hélène Védrine sur les périodiques d’art et de littérature (L’Europe des revues, 2008, et L’Europe des revues, II, 2018), de l’autre par Hélène Gispert sur les périodiques scientifiques et techniques (groupe GHDSO-EST).

Programme

Friday 22 March 2019 / Vendredi 22 mars 2019, Université Paris-Sorbonne, 16h-19h, salle Paul Hazard

 Periodicals and Publishing / Périodique et édition

Yoan Vérilhac (Université de Nîmes, RIRRA 21, Montpellier III) et Caroline Ehrhardt (Université Paris-8, IDHES)

Friday 24 May 2019 / Vendredi 24 mai 2019, Université Paris-Sorbonne, 16h-19h, salle Paul Hazard

 Periodicals and Images / Périodique et image

Valérie Stiénon (Université Paris 13, Pleiade) et Delphine Benoît (Université Paris Sud, GHDSO)

Friday 11 October 2019 / Vendredi 11 octobre 2019, Université Paris-Sorbonne, 16h-19h, salle Paul Hazard 

Periodicals and Translation / Périodique et traduction

Francis Mus (Université de Liège, CIRTI) et Patrice Bret (Centre Alexandre Koyré, Paris, sous réserve)

Friday 15 November 2019 / Vendredi 15 novembre 2019, Université Paris-Sorbonne, 16h-19h, salle Paul Hazard

Periodicals and Vulgarisation / Périodique et vulgarisation

Mark Morrisson (Pennsylvania State University) et Jonathan R. Topham (Leeds University, sous réserve)

Organizers / Organisateurs:

Hélène Védrine (Paris-Sorbonne, CELLF 19-21)

Norbert Verdier (Paris-Sud, EST-GHDSO)

Alexia Kalantzis (Versailles Saint-Quentin, CHCSC)

Scientific Committee / Comité scientifique:

Evanghelia Stead (UVSQ, CHCSC & IUF)

Hélène Gispert (Paris-Sudy, EST-GHDSO)

Viera Rebolledo Dhuin (UVSQ, CHCSC)

Hélène Védrine (Paris-Sorbonne, CELLF 19-21)

Norbert Verdier (Paris-Sud, EST-GHDSO)

Alexia Kalantzis (UVSQ, CHCSC)

Label : MSH Paris Saclay & CELLF 19-21

Contacts 

This email address is being protected from spambots. You need JavaScript enabled to view it.

This email address is being protected from spambots. You need JavaScript enabled to view it.

8-9 July 2020, University of Salford, MediaCityUK

Deadline for 400-word abstracts: 16 December 2019
https://mediabuilding.weebly.com 
 
In 1702 Elizabeth Mallett founded the Daily Courant at her modest bookshop on Fleet Street in London. Two centuries later, the street had become the spatial nerve centre for a range of local, national and international networks of communication that were replicated on “newspaper rows” across the globe. As media influence grew, so too did the size and scale of its buildings, with American publisher Joseph Pulitzer contending that ‘a newspaper plant…should be something to be gaped at.’ Structures such as Pulitzer’s own New York World building, the striking neo-gothic spires of the Chicago Tribune tower, and the sleek art-deco exteriors of the Daily Express buildings in London and Manchester offered their own expressions of media power, modernity, and the aesthetics of mass communication, providing what Aurora Wallace describes as a “definable shape…a hook on which to hang some news about the media itself.”
This conference, located at the heart of MediaCityUK, invites contributions which explore the intersections between media culture, architecture, and the built environment. We are interested in the relationship between media content and media space, and the ways in which this relationship has changed over time. What would press barons such as Pulitzer, who saw their buildings as “the central and highest point(s) of New World Civilization”, have made of Facebook’s Menlo Park Campus; an arguably more impressive yet radically different vision of media power, sophistication, and influence? How might publishers such as Lord Beaverbrook, the ‘first baron of Fleet Street’, have reacted to its decline and dispersal during the latter decades of the twentieth century? More broadly, how have media buildings informed and given form to a range of sociopolitical, cultural and ideological constructs, becoming a “delivery mechanism” for ideas about objectivity, authority and identity? And what can the past and future of media architecture tell us about the changing nature of media production, distribution and consumption in the twenty-first century?

Potential topics and case studies could include:
•    The history and impact of the “newspaper row” (Fleet Street; Park Row; Picayune Place; etc)
•    Media power, message and the modern skyscraper (China Media Group HQ, Beijing; the New York Times building, ‎Manhattan; Der Spiegel building, Hamburg; etc)
•    Media cities and mediated cities (Facebook Menlo Park Campus, Silicon Valley; MediaCity, Salford Quays; Media City Park, Dubai; etc)
•    Liminal spaces, private architectures, media publics (blogging and the coffee shop; radical media and the built environment; media cultures in the ‘post-newsroom’ age; etc)
•    Reuse, relocation, and the afterlife of media architecture (the Daily Express building, Manchester; the Tribune building, Chicago; BBC/Channel 4 move from London to the North, etc)
•    The relationship between media building design and professional ideologies of journalism/newswork (soft power and media architecture; the ‘newsroom’ as a social and cultural construct; etc)
•    Race, Ethnicity and Media Buildings (the Defender building, Chicago; the Daily Forward building, New York; etc)
•    Media architecture and the end of empire (Times of India building, Mumbai; National Media Group, Nairobi; Broadcasting House, London; etc)

Abstracts of no more than 400 words should be sent to conference organisers Carole O’Reilly [This email address is being protected from spambots. You need JavaScript enabled to view it.] and E. James West [This email address is being protected from spambots. You need JavaScript enabled to view it.] no later than 16 December 2019

A limited number of travel awards are available to subsidize conference attendance by PGRs, ECRs and temporary faculty. To be considered please submit an estimate of travel expenses with your abstract.